HOW and WHY to layer pop vocals! (Tips for Remote Voice Production)

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In this video, Austin will show you how, when and why you should layer vocals in a pop song. Vocal arranging can make or break a record, and it's important to know when to use certain tools and elements, what you're trying to achieve with these methods, and how to execute them during a session. Austin also goes over some of his favorite tips and methods for producing vocals for artists remotely.

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DAW/program I use:
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My equipment:
DAW: Cubase 11 Pro
Office: AZ Studio workstations
Monitors: Focal Shape 65s with Focal Sub6
Interface: UAD Apollo Twin USB
MIDI keyboard: M-Audio Code 61
Keyboards: Roland Juno DS88, Roland Juno 106, Arturia PolyBrute
Guitars: Fender American Professional Stratocaster, Gibson Les Paul Studio, Taylor 214 CE Plus
Preamps: Heritage Audio HA81A and Audient ASP800
Microphones: Advanced Audio 251, Slate ML-1, Shure SM7B, JZ BH-1, JZ V67, Lauten Audio LA-320, Lauten Audio LA-220, Lauten Audio LA-120, AKG P170, Sterling ST59
Camera: Panasonic G7
Lens: Panasonic 25mm f1.7
Camera Lights: Neewer LED Light Panels

Timestamp:
Introduction 0:00
Video preview 0:17
Start with a voice demo 1:25
Expanding the arrangement into a lyric sheet 2:50
Start with a solid voice 3:32
Double tracking for effect 3:58
Creating width and body with unison vocals and panning 5:27
Introducing harmonic variation to spark interest 8:15
Added multiple 10:10 harmony layers
Remote voice production workflow 1:25 p.m.
Vocal production beyond tracked vocals 2:45 p.m.
Artificial harmonies for flavor and texture 15:35
Ad Libs to add interest and urgency 4:50 p.m.
Fun delay throws and production flares to finish it all off 17:59
Before layering and production vs. Final 7:00 p.m.
Recap it all 20:12
Exit 9:03 p.m.