The majority of conversations today, including the Metaverse and Web3, are about the business and social element of fashion's digital transformation, how it can improve experience A, process B, collaboration C, profit D and democratization E, for example. It's about a company, a brand, a solution to a problem, a rebellion, a new way of doing things, not the designer.

By removing context and commercial pressures and focusing on the creator, there should be a passionate person with a vision who seeks to innovate, to experiment, to stimulate. To create The New. It can be for themselves, for others, or both, and it can be a sketch, a drawing, a canvas, or a finished piece. Whatever choice is made here, it is a personal choice focused on the journey toward achieving this vision and realizing the New.

Digital fashion is a term that encompasses the design and development process, not just commerce, and includes digital clothing, the journey to creating a physical garment, and the storytelling of the vision. Regardless of the end result, the designer must always research, analyze, experiment, create, develop, innovate and deliver with integrity and authenticity.

Digital fashion tools can augment the entire development process, allowing for improved experimentation, revision, correction, and perfection. It is these digital tools that revolutionize the design process and allow the designer to experiment in different ways to realize their vision and produce it both physically and digitally.

3D clothing designer Arina TERREUS

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